Sunday, January 25, 2015

Pink Love in January

I tend to forget about the rosé category in general. What about you? How often have you said to yourself (in comparison with red and white) – I need more “pink” in my cellar? It’s a shame really, because they are in some ways unique, not only by colour, but also on aromatic profiles and food matching abilities.

Maybe the category occasionally slips our minds, because it’s season based, making sense as the refreshing thirst-quenching drink on a hot summer day. But of course the wine geek knows better and the pink song has a B-side, which contains much other than Tutti Frutti bonbon beats. Often the flip side leads to Champagne, where another dilemma awaits. The simple equation of the supply and demand curve, with deadly high price tags, as the en vouge pink sparkling version often is microscopically part of a producer’s entire portfolio. 

Yesterday I found myself in mood for some rosé. Or should I say – I was in the mood for some Jérôme Prévost. The weather was dead awful. Grey with a mixture of sleet and snow, so not your average sunny rosé day. But what the hell, I had prepared some pearl barley with pumpkin seeds, which I made like a risotto and served with guinea fowl. I thought a Rosé could work and it did – really well in fact. I knew the fat structure from the risotto look-alike dish could be an issue. And for sure, it was of some concern, but then again the refreshing bubbles did a good job cleansing the palate.

But let’s turn to the Champagne.

2011 Jérôme Prévost “La Closerie Fac-Simile Rosé”

100% Pinot Meunier
Dosage: 0-2 g/l
Terroir: Massive layers of calcareous sand formations and fossils with tiny crustaceans
Aging: Oak
Method: Assemblage
Production: 3.128 bottles
Glass: Zalto white wine

Some would say that Jérôme Prévost rosé version always have been in the shadow of his standard Champagne: “La Closerie”. Of course it makes sense to do the A vs B battle here, as Jérôme currently only makes two cuvèe’s. However I think it’s wrong and like to see them as two different persons, with two different personalities. I also believe that Jérôme have improved his rosé enormously since release, and it’s something you need to drink over an entire evening – both with and without food. You also need to let it breath and warm up in temperature (which I did).

Let me emphasize, what I like about a rosé (and forgive me for repeating myself). I love a when a rosé sort of “dries out”. When the primary fruit settles down and removes the worst candy like associations. With the saignée method (maceration – not the case here), time is also necessary for me, to take away both the slightly more aggressive style and in some cases lower the potential tannins. In both cases, cellaring will bring a saltier and far more interesting Champagne IMHO. But also on the aromatic barometer, there awaits beauty with patience… you are probably thinking….so why the hell are you telling us all this stuff, when you have just popped the cork of a relative young 2011 Champagne? Good question and I have no good answer, other than I always like to check out (if I have enough stock) a Champagne when it’s potentially too young. But here comes the good part – this rosé had already gained some of that “dried out style”, which provided some of the most fascinating aromatic notes of verbena, currant, dried thyme and other mind-blowing sophisticated spices. These notes will come fully alive half way through the bottle and when you raise the temperature to 13-15 degrees. You simply can’t let go of the glass – the nose is seriously intoxicating. The taste is not bad either – really light on its toes, very graceful, yet persisting enough with enormous bite. I think some would argue, that it has a slightly greenish style, which is also the case for the ’11 vintage in Burgundy. But I really this, because it becomes so understated by this. What rosé Champagne – WOW!!....and just to let you know – the day before I drank 2004 “Venus” from Agrapart, which was also mind-blowing good, so I came from a high calibrated level and this Rosé didn’t suffer one bit at all.

BRAVO Jérôme!!!

Sunday, January 18, 2015

Vintage hysteria, high expectations and 2008 “L’Apôtre”

(David Léclapart)

“Blessed is he who expects nothing, for he shall never be disappointed.”Alexander Pope

I think we have all been there, right? Expecting too much and ending up disappointed. With a colleague, your company, your best friend, your spouse or maybe even a bottle of wine. Expectations are the result of looking ahead, thinking solution orientated and imagine (maybe even dreaming) of a happy end. When failure arrives at our doorstep, we obviously ask ourselves why? Did we overlook something? Or were unexpected variables responsible for the negative outcome and can we actually blame someone other than ourselves?

Wine is indeed exposed to high expectations and holds a complex field of variables, which sets complex scenarios.

One of the most expectation adding variables is vintage hyping. The declaring of a great vintage will obviously raise the bar and expectations.

Vintage has always been a key driver for wine lovers. If you get caught inside the wine universe, you have also learned to pay attention to details. We constantly search for wines, which can enlighten our sense hungry minds a little more than our last experience and provide us with those unforgettable moments.

So we plan well ahead to be in our comfort zone. We look for a bulletproof plan, by cherry picking the best vintages and carefully (unless your are a billionaire) plan our future wine purchases. Why shouldn’t we? Wine education tells you to be selective; otherwise your finances will run dry

Paying attention to vintage is logical – but also a blind alley and not a guarantee.  Especially because wine journalists often compose the declaration of a vintage, which tends to follow a framework, which might not take into account how you drink wine. I mean, how many speak about the simple drinking pleasure and how food diverse the wine or vintage may be? I couldn’t care less about +60 second finishes and only hearing praise for vintages with the highest testosterone.

I find myself split on vintage and high expectations. It really depends, how much I pay attention to vintage. When I get my yearly allocation on producers like Ganevat, Cossard or Cédric Bouchard, I don’t really care about the vintage. I just buy them (if I can afford them), because I know they will have something to offer. And what if it’s on paper not a great vintage? Maybe it will just taste better young? Cellar the big vintage and drink the smaller vintages. Great plan as I see it. I think there is almost nothing worse than seeing tasters obviously disappointed with a wine in a “great vintage”, trying to prove for themselves that the wine was still fantastic.

So even if I find the whole vintage thing one big mass psychoses I would be lying to you if I said that vintage didn’t matter to me and I never tried to find an alibi for a wine, which didn’t live up to my expectations.

It actually happened a couple of days ago.   

2008 David Léclapart “L’Apôtre”

Blend: 100% Chardonnay
Dosage: 0 g/l
Vines: Planted in 1946 
Vineyard:0,31ha Lieu-dit “La Pierre St-Martin”
Fermentation: Oak-barrels. 
Other: Biodynamic stuff
Glass: Zalto White wine

Oh yes I had high expectations. Why not? I have a thing with David and his wines and there is always something in the air, when I taste his Champagnes. 

I even tasted the 2008 “in the “L’Apôtre” Vertical 1999 >>> 2009” back in Nov-2013 with David and was blown away by its intensity. It certainly lived up to the hype about the 2008 vintage in Champagne. Vertical tasting are really educational, as you can almost outline the younger wines path and imaging their potential Sure, having tasted almost all releases of L’Apôtre from youth, I knew there was a risk of it being simple too young. I even knew that L’Apôtre would be slow starter.

Day one – Friday. A leaf day btw - So not a good day to drink wine, according to the biodynamic lunar calendar. I think I have never tasted a Champagne this shy and 110% completely closed. There was simply nothing to gain from the nose other than the sense of something very clean. The taste had an insane acidity, which felt like a thousand citrus fruits being crushed on your tongue. I would be lying, if I said it was good. More a study than actually pleasure. If I had to conclude something from this day I would have no idea what to write other than I had too high expectations. Did I hype it too much or what had happened since Nov-2013. I found myself making the same excuses that I somehow find rather pathetic; when a taster just can’t get himself to say it’s not a good wine, but feverishly try to argue their way out of the problem. My wife and I drank half of the bottle and I decided to leave the other half for the next day, where I had the entire half for myself.

Day two – Saturday. A fruit day and even if I don’t have that great success with the bio-calendar, I still found myself in this search for meaning (and still hoping) over my Friday disappointment. Mama-Mia – WOW!!! I wouldn’t say that the wine was actually open now and a flowering fruit bomb. But what revealed itself was one hell of an insane electric Champagne, setting the bar for energy higher than I have ever seen before. The aromatic notes are still very primary with tons of ripe citrus tonality, soil intensity and this nerve wrecking acidity still cuts all the way through the wine. With vintages like 2002 and 2004 “L’Apôtre”, which has occasionally also shut down, especially shortly after release I would obviously recommend seriously cellaring here. However “L’Apôtre” is known to open up again before heading for a more mature window. When that is – I have no clue. But damn – what a Champagne it will be, when it unfolds.

Sunday, December 28, 2014

A new Champagne glass

(From left: Zalto White Wine / Riedel Veritas Champagne / Spiegelau "Adina water Goblet) 

A Danish glass aficionado (thank God there are more than me) recently brought to my attention that the new Champagne glass from Riedel (the Veritas series – middle on the image) was worth checking out. It however slipped my mind, before I attended a tasting where this glass was praised once again. Hmmmmm……Okay to hell with it – let’s see what the fuss is all about.
So a week ago, when tasting Chartogne-Taillet 2002 “Fiacre” I took it for a spin vs Zalto White Wine, which I am using more and more as my reference Champagne glass.

The Riedel Veritas Champagne glass overall has a good feel about it. It’s cool, classic design and on sight seems to be a good companion if you want to bring out the vinous side of Champagne – which I do. Although it’s machine made, it’s has a fairly low weight and a really thin stem. However, when arriving from Planet Zalto, everything seems bulky and heavy in comparison. This will always be an advantage for Zalto a no other glass brand has the same magic feel about it IMHO.

Fiacre is a lovely Champagne, which always makes me in a good mood. In Riedel “Fiacre” performed classic and really good. If you knew of no other glass, this would be a great Champagne glass.

In Zalto however (left), it was another story. It’s been a while since I have conducted glass tests, but here I overwhelmed by the difference. Zalto was a millions time better. It’s simply a difference in frehness and focus, which makes all Champagnes in Zalto seems so frisky. Returning to Riedel; “Fiacre” was suddenly much heavier and sweeter and I am confident it has to do with the fact you are tasting lead (Riedel) vs lead-free (Zalto).

Another test: 28. december 2014.

2010 Doamine Belluard “Ayse Mont-Blanc Brut Zero”
(So not Champagne, but a sparkling wine from Savoie made from 100% Grignet). Seriously one of the best non-Champagnes I have ever tasted. A real bargain)

More or less the same result, though not as clear as Zalto’s first win. This time Adina was also in play. In Riedel it was more about simple fruit, which of course is okay. But the wine was lacking secondary nuances as the fruity impression was overwhelming. Yet in Adina, it has a more toned down/subtle appeal, which provided more elegance. In Zalto you had the edgy feel again, where the wine felt really naked, yet also far more mysterious and interesting with the mineral spine really kicking in. I am not sure everyone would go for the Zalto as winner here, as it shows the wine far more raw and unpolished. But I like this raw and racy expression.  

New test – from 16th of January 2015.

2008 “L’Apôtre” from David Léclapart

This time Adina vs Zalto. Hard to say, who actually won here, because we were dealing with a very shy Champagne.  But the pattern was the same. In this case, the Adina glass seemed to have an advantage by opening up  “L’Apôtre” a bit more. However it was just an illusion, caused by the wider opening of the glass and the feel of some fruit coming forward. The Champagne was indeed sealed like an oyster. I still favoured Zalto, despite it was a strange test really, simple because the firmness and feel of the energy in Zalto was better, which is always the case for me. On day two – I forgot about testing and just enjoyed the second half of the bottle in Zalto. 

I will keep this post open and post other tests – also vs Spiegelau Adina (right). Take care.

Sunday, October 5, 2014

The death of the Tasting Note and a damn fine Champagne.

The Tasting note has become an institution and the most logic form of describing a wine. In it we try to unfold the character of the wine by fragmenting it’s components. A good taster have the ability to distinctively spot the most detailed aromatic/flavour notes of the wine and some can even visualize the wine for you, by using creative metaphors. No doubt that the use of metaphors enriches the language, elevates the fun-factor and even have an inspirational appeal to a thirsty audience. But!” - they can also be highly individual, completely useless and far-fetched. After the creative phase of the tasting note, and the use of endless adjectives, the taster will try to reach a conclusion, by sort of putting the notes back into a context, measuring the wines overall balance. Some end the tasting note with a score – some don’t.

(The scoring of wine is probably a separate post worthy, but let’s leave that for a rainy day).  

I have a hate/love affair with the tasting note. I think it’s a poor mans thought of trying to capture a wines soul. However I recognize that it’s at least a form trying it’s best with words to unfold a wines character.

What I don’t like about the tasting note is that it reminds me of performance tool, between a company and their employees. We look for plusses and minuses, by fragmenting and we ALWAYS end up concluding something. Yet when we have separated all the components of a wine into a SWOT matrix we don’t always, if you ask me, manage to assemble the components correctly back into place. The fragmenting becomes primary and we become too focussed on performing a task, rather than just relaxing and connecting with the wine.  I think we do this, because the tasting note has become such an easy form to adapt to.
Our role models – and where we have learned the tasting note from – are wine journalist.  However I think we forgot forgot, in our eager to play mini-Parker/Galloni or Jancis Robinson, that the wine journalist are at work and tasting notes are part of their paycheck. We, you and I – the consumer, are not at work. Nothing is required from us, when it comes to wine – yet we chose to use the neo cortex of our brain, which is responsible for all our rational and analytic choices. Instead, the curious reader, would obviously ask, why we don’t use our the limbic system of our brain, which holds all our feelings and emotions, when wine are in fact something that unfolds on an emotional level? But does the limbic system have an understandable language? I believe it has and I miss its presence in wine, despite I can find it elsewhere in other emotional systems like literature, art and music. The limbic language is not so easy to master as listing facts are. It will even break the norms and you might be laughed at, because it can be perceived as pure nonsense. Who wants to be a failure, when they can be a success, by just following the already secure standards of a fact-listing tasting note? The tasting note have become like an occupying norm institution. And fair enough really, because maybe we don’t need to express what the limbic system are telling us. Maybe the affect of the wine – that electric pulse inside your bloodstream was just a personal moment for you. The unexplainable was somehow your own little secret – another dimension - something to hold onto and be inspired by. Sometimes it can be disturbing to let other people into your most private thoughts – so why share it, if it holds more value by treasuring it?

There are also good things about tasting notes. I like the fact that starting up a tasting note actually forces you to listen and talk to the wine. The more this conversation unfolds– the more information you will obtain. The experience of the wine, if you do a proper job, should hold most of the details. By having written your notes down on paper, it’s very easy to come back and do some more reflections.

However at the end of the day – the formal approach of writing down has the tendency to focus on “what?” (The neo cortex) – analysis, facts, numbers - and not the “why?” (The limbic system) – emotions, feelings and reflections.

“Why”  - is me – this is who I am, when I drink wine. When I work – I am “what” and I need that contrast when it comes to wine.

Let’s end it here – despite the subject holds more nuances. It’s a blog – not a novel ;-).

But before we end – as the headline promised – I’ll give you a tasting note on a spectacular Champagne.

2009 Benoît Lahaye “Le Jardin de la Grosse Pierre”

Blend: Pinot Noir, Pinot Meunier, Pinot Blanc, Chardonnay, Arbanne, Petit Meslier and other unknown varieties.
Terroir: Brown Chalk
Age of wines: Some Planet in 1923 by Benoit's grandfather – yet some dead replaced again in 1952.
Vinification: 10 months in old 225l barrels.
Dosage: 0 g/l
Production: 840 bottles
Glass: Zalto White wine

I have actually tasted this Champagne once before in 2013, when I attended the pre-2013 Terres et vins de Champagne event called “"Les Vins de Champagne à travers le temps". This is however the first I take it for a spin at home. I remember it as a remarkable breed with highly sophisticated spices. I also remember that the blend was rather particular and also asking Benoît about these “other” varieties? He just smiled, so we will have to settle with that ;-).

I can’t tell you what these spices taste like – they are so unique and intense. You have to buy it “see” for yourself. It smells like raw soil, warm stones, black cherries stones/olives – but I am really guessing here, because I have never tasted anything like it before. The intensity of these spices, roots from a dark place and it seriously feel like drinking the soil. At one stage I feared that it would lose height, given the combination of these dark, mysterious spices and the slightly warm ’09 vintage. However despite the growling dark baseline it somehow also manages to stretch itself into a weightless space. Insane really – something I have never seen before and totally emotional experience for me.

When I ask myself what I love about Champagne, it always circles around the cool climate, fostering overly elegant and precise wines. However I also like the raw side of Champagne, which started to come alive, when I got introduced to growers like Benoît Lahaye here. This is raw nature-stuff Champagne, not seeking any kind of compromise. Nor is it a fruit bomb, ready to take you for Boogie Woogie on the dance floor. “Le Jardin de la Grosse Pierre” is not a beginner Champagne and I would recommend you to drink it with food.

One of a kind Champagne. Try it, if you can find it. 

Sunday, August 24, 2014

Drinking wine alone

Wine is about sharing. Sure – we all know that phrase. In wine it’s second nature to enhance the experience by sharing. Today’s psychologist and coaches speaks about how important it is that other people are witnesses to our life. We live stronger when we give something to other people and they act as a catalyst for our sensorial systems. Wine is no different. The joy of being with likewise passionate people is revitalizing. I live for this – it’s part of my wine loving DNA.

I couldn’t live without “sharing”. However the daily practicalities are of course producing some logic obstacles. We are (well I am) constantly frightful busy and always short of time. So I do actually drink a lot of wine on my own…well almost…technically its most of the times with my wife, but it’s the moments were I completely alone and decide to open a bottle a wine, I want to speak about. I also want to speak about why, especially big tasting events, is not always heaven to me.

Let’s go back to the month of May this year….

My wine mates and I (plus 3 other friends) were at one of my favourite restaurants in Copenhagen. Own wine – Chef table – Rock 'n' Roll. It couldn’t go wrong. But it did. I didn’t have a good time and not only did I have alcoholic hangovers the next day – I also felt like a melancholy zombie. When my brain started to function again, I started to put together my state of mind puzzle. Why did I feel so miserable? What went wrong?

There were three reasons.

Firstly – I often build expectations to an event like this. I am confident it releases some traces of dopamine and increases my adrenalin. That’s why you often hear the remark of people who look forward to events like this, as a child looks forward to Christmas Eve. Good or bad tasting…well often the day after feels hollow and slightly melancholic.

Secondly is a “demon” I have seen before, which relates a little to the first one. The demon is a kind of seven deadly sins – well at least three of them: Lust, Gluttony and Greed. Sadly there is a tendency, that lack of moderation can kill the intimacy for me. Erotic turns into porn. There are too many impressions to digest at a +20 bottle wine tasting with +20 courses of food and +10 people to talk to. You have to prioritize and somehow I have never succeeded to put together the perfect plan. Something has always suffered and killed the overall impression.

Third is a new “troll”. The troll is about different opinions. Despite I think you can learn a lot from tasting with other people and understanding what makes them tick, I am not always in the mood of constantly hearing their and my opinion on wine. Especially if it comes to just focussing on the most significant diversity of each other’s taste. Sure such a debate is interesting, but it requires time to obtain the important nuances. You don’t have that time at such events, where you have to focus on so many things. Sometimes I just want to “be there”. Catching up with friends, I might not have seen for a long time. The wine can even be secondary. It’s simply just about confirming your friendship. So it annoys me, when I sometimes feel in a situation, where I am forced to express my own opinion. At this above-mentioned tasting event there were such a situation. One of the attendees, whom I don’t know well, expressed his opinion about natural wine. He told me about a purchase of a mixed 12-bottle case (all natural wine), from an importer I know well. Now I don’t own or have a passion for these wines he bought, but I have tasted them before. He explained that half of them were good, 3 of them were so so and the last 3 were undrinkable. Then waited for me to say something, especially concerning the 3 undrinkable ones. It was like he had invited me to take part of a discussion, as he must have thought of me as an ambassador of both natural wine and the guy who imports them. So what do you say to that? I didn’t say anything. I didn’t care really. Leave me alone, dude.  

Drinking wine alone.

I love drinking alone. It’s peaceful and aesthetic. When I am alone with wine I can crawl into my own little cave. On one hand I pay attention on all the details of the wine and the ambience around me. Paying attention makes you see nuances, which is muted if you don’t pay attention.  On the other hand, I also like to be absorbed in a kind of no man’s land, where I don’t pay attention to anything. It’s important to create this bubble, which I often do by listen to music, watch a good movie or look in my many photographic books. Wine and the alcohol affect is not an escape from the challenges you have in your life. This is important to understand. Wine and alcohol is not the solution for a stressed life. I never drink wine, when I feel stressed. However I use eight hours a day crunching numbers and try to navigate and beat the financial markets. I simply get nuts, if there is not a contrast to this and have found out that wine creates a path to my other half brain and opens a window of creativity.

So what happens next - when the wine is in the glass and the ambience is set? We talk– the wine and I. Oh yes. I like to talk with the wine. Wine is like a small individual “person” and I see my role as someone trying to understand he/she/it. The only way to understand is to listen and make conversation. Such a statement sounds like mumbo jumbo – I know. Yet I would bet we each have our way of “communicating” with wine. The conversations are highly interesting. They swing from love at first sight >>> instant trouble >>> puzzled >>> intellectual >>> meaningless >>> eccentric >>> seductive >>>…….etc.

Sometimes it happens that the experience and the ambience created, takes my mind to an almost transcendental state. It’s far easier for me to let go when I am alone. Is wine a drug? I have never taken any drugs, but I imagine there are some similarities, when this transcendental mental state takes control. These moments come and go and shift in their strength, but at their peak, it’s at moments like these I feel most inspired in my life.

The silence and the intimacy are also magical. It’s again the relationship/conversation between you and the wine. Yes – there might be issues, which you don’t like about the wine, but then again you have something to “talk” about. The wine is not flawless – and so what? I am far more forgiving when I drink alone. When you taste wine with other people, I think we have a tendency to quickly conclude on aromatic profiles, use a lot time “nailing it” – praise those who “won” and quickly move on to the next wine. This is a big mistake if you ask me. The best way for me to understand a wine is after I have drunk a whole bottle of by myself.

Don’t ever give up drinking wine with friends, your loved ones and with other people – but don’t forget to drink wine alone either.  

Saturday, July 19, 2014

Champagne visit - 2014

Stay tuned....All images are clickable and will open a larger format.
(Jérôme Prévost)

(Hotel and restaurant Les Avisés / Selosse)
(Hotel and restaurant Les Avisés / Selosse)
(Hotel and restaurant Les Avisés / Selosse)
(Hotel and restaurant Les Avisés / Selosse)
(Hotel and restaurant Les Avisés / Selosse)
(Hotel and restaurant Les Avisés / Selosse)
(Hotel and restaurant Les Avisés / Selosse)
(Le Chateau de Pierry / Les Origines Champagne) 
(Ine Goossens & Ries van der Vlugt / Just Add Wine)

Saturday, June 28, 2014

The price trap

In April I visited Champagne again. I couldn’t help noticing that prices on grower Champagne are on the rise. Yet the increasing price curve on the most innovative growers in Champagne are not a singular phenomenon. Prices on quality wines are in general increasing and it rarely helps when the production is low. Just think of Burgundy, where some of the most prestigious names are separating themselves to an exclusive club of consumers.  

Overall I don’t like to talk about prices on wines. “Numbers” is what I do for a living and wine has always acted as a contrast to my work life. I like to keep it that way. Money is a weird thing really – we know it matters, but to start a debate about what’s the right way to use them is more about moralizing. What people do with their own money is their choice. Wine is good example. All passionate wine lovers, knows it’s a form of madness to spend a ridiculous amount money on fermented grape juice. You might have done a great investment, but at the end of the day you are willing to  “destroy” that investment by drinking it. Yet we (us wine geeks) know that there is more to it than just grape juice with alcohol.

I often see people complain about price developments on wine. I am no different and guilty as sinned. In fact it happened in Champagne. Some of my favourite producers are starting to be in a price range, where I have to think twice. If I decide to buy expensive wine I just don’t buy a six-pack without blinking. But owing just one or two bottles of a very expensive wine is actually another dilemma. You just don’t serve these wines on a Tuesday evening with a Spaghetti Bolognese. No! You save them for a special occasion. This is okay to some degree, as we have always split wines into different categories and somehow we find wines that suit that Tuesday evening. However when you put the wine on an exclusive price pedestal you build high expectations. You even make sure it’s served with the right people, as you rarely drink such expensive wines alone – or do you? I think most want to share a potential big experience with other people and this is one of the beauties with wines; friendship and the social element. Yet it’s also a bit weird, because you will probably only get one or two glasses. You even make sure the wine is matched with the right food, chose the right day - where “equivalent” wines are present. Now there is absolutely nothing wrong with looking forward to taste a special wine. Not at all – I embrace this myself. However I have never felt comfortable of tasting wines, where I somehow beforehand are almost nervous on the outcome. Tasting wines naked, being relaxed and just interact with the wine and having a good natural flow appeals far more to me.  

Yet the spike in prices also have a positive flip side for me. When a wine breaches your own price limits the initial thought is: DAMN! Now I can’t buy Soldera or Jacques Selosse anymore and this is not so easy to digest. For me it helps thinking that if I die tomorrow I won’t die thirsty of either Soldera or Selosse. Yet somehow I just forget about them. They kind of slip my mind and the reason is simple. Wine-Life goes on. It’s like my consumer behaviour automatically guides me in a different direction and my curiosity likes that. It says something about how many talented winemakers there are out there and how many I haven’t even tasted yet.  I live for curiosity and taking a stance on prices helps me stay alert.

You might already have guessed this introduction is leading up to a wine, where I will touch upon its price tag. This wine is the result of being curious and of course having good wine dealers, who buys the good stuff and knows your palate. The price here is low – but the quality is outrageous. I couldn’t help to speculate if this wine was served blind to me. I would have compared it with some of the best white wines I have tasted from Burgundy, which are easily +150€. But this one is roughly €23…if you can find it that is.

2012 Jean-Marie Berrux “La Petite Têtu”

Grape: 100% Chardonnay
Location: Burgundy, Corpeau, Slightly south of Puligny.
Vineyard: 1,5 ha
Vinification: Oak (20% new) + only indigenous yeats.
Viticulture: Biodynamic
Other: No sulphur during vinification – only at bottling (approx 18mg/l)
Production: 7-8.000 bottles
Glass: Tasted two times – One time from Zalto Burgundy and second time from a Spiegelau Burgundy glass in a restaurant). Zalto was miles better (no surprise) and lifted the wines freshness and minerality, whereas in Spiegelau it was a bit oilier and heavier in style.
I didn’t write any notes on it…I never do that anymore, but I remember it very well. I also remember my wife and I drank if faster than we normally do. My wife even said, that she was tired and not so much into wine this evening. She changed her mind. The wine is utterly sensual. It has a mind-blowing elastic feel as soon as you stick your nose into the glass. On one hand its oily and buttery, which sometimes can go deadly wrong with these white Burgundy and not something I favour. Yet it has a combo of wild yeast flavours, honey, brioche and  lots of fresh tickly fruit with sensual apple cider associations, which creates the most divine balance. The touch of oak is also there, yet only secondary with sensuality and so well balanced. The taste is round and lush – just like the nose, yet filled with enormous minerality, life and bite. What a wine. Hunt it if you can find it.